The pakkoh and kacho/soof embroideries from Tharparkar, in Sindh’s eastern corner, are among the most compelling in Pakistan, with bold, stylized motifs of dunes, flowers and peacocks drawn from nature.


The peacock found all over Tharparkar is the lead motif of its embroidered textiles. Among the Hindu Meghwar community who are professional embroiderers, leather workers, tanners, builders and farmers, the peacock is a metaphor for a bridegroom who comes to claim his bride from her parents. The long narrow scarf, bakano, that he is given by his future mother-in-law for his wedding day has a fanciful design of peacocks among flowers and on top of hills or dunes. The peacock is revered as a noble bird.

The peacock is a motif commonly seen throughout the Sindh region. The symmetry of the bird, colors and decorative details all make it an appealing figure to be applied to embroideries. The peacock often features in embroidered wedding garments as a symbol of fertility and prosperity to the married couples; this is particularly so amongst the Hindu Meghwar community as the peacock is a metaphor for a bridegroom who comes to claim his bride from her parents. The eyes of peacock feathers are also used as a motif in embroideries.



The Flowers symbolizing fertility and prosperity for the bridal couple are found in practically all Tharparkar wedding garments.


One of the most famous motives in the Thari embroidery is the  circle  signifying the sun & the moon. This symbol implies the belief that this circle will enclose happiness and good luck.


The formation of triangle in the embroideries are in a particular formation, assuming that as many triangles there would be, that will decrease or wipe of evil eye – these triangles are the depiction of women fertility.

Shopping cart


No products in the cart.

Continue Shopping